by Justin Chang While the American film industry still has a long way to go in nurturing movies made by women and people of color, the Sundance Film Festival has long provided an important platform for marginalized voices. This is the festival that recently introduced us to pictures like The Farewell, from Lulu Wang, and Clemency, from Chinonye →
by Glen Weldon After finishing writer/director Charlie Kaufman’s latest film, which hurls so many things at you as →
by Linda Holmes, Stephen Thompson, Mallory Yu, and Kathy Tu The biggest movie so far to be bumped →
by Justin Chang Since they were founded in the 1930s by the American Legion, the Boys State and →
by Leila Fedel Like the elements that she discovered — polonium and radium — Marie Curie was “unruly,” →
by Scott Simon Da 5 Bloods, Spike Lee’s new film, follows five friends who shed blood, sweat, and →
By Justin Chang I first saw Shirley months ago, back in January. It’s strange to be revisiting it now. Like →
By Ailsa Chang Beanie Feldstein does not like the way teenage experimentation and growth gets dismissed as just a phase. “There →
By Natalie Escobar When director Alice Wu’s Saving Face premiered in 2004, it stood out from the vast majority of →